(Reblogged from beautifulordinaire)
(Reblogged from hurkilaspesnes)

Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich Malkovich

(Reblogged from colin-vian)
  • Interviewer: Some would say that the only kinds of good explanations are scientific ones.
  • David Deutsch: Yes, well I would say to those people that that theory is not part of science and therefore it rules itself out.

Niece update.

Your husband will attend the same dinner party as us. I hope that will be his last meal.
Ovid, Amores 1.4.1-2: uir tuus est epulas nobis aditurus easdem / ultima cena tuo sit precor illa uiro.

artemisdreaming:

Woman with Shawl, 1896, Musée Rodin

Auguste Rodin

(Reblogged from lynnehoppe)

loverofbeauty:

John Singer Sargent:   Staircase in Capri   (1878)

(Source: givemesomesoma)

(Reblogged from catherinewillis)

Bartolomeu Velho’s model of Ptolemaic geocentrism (1568)

Although composition has always been fundamental to painting, all modern painting has been distinguished by a new way of being concerned with it. In modern art, especially in Cubism, composition comes to the forefront and finally, in consequence, abstract-real painting expresses composition itself. While in the art of the past, composition becomes real only if we abstract the representation, in the abstract-real painting composition is directly visible because it has truly abstract plastic means.
Piet Mondrian (1917)
elpasha71:

1906 Ernest Bieler, Girls braiding straw, 1906

elpasha71:

1906 Ernest Bieler, Girls braiding straw, 1906

(Reblogged from tensemetaphors)

Sarah Britten, Red Onion, 2010, lipstick.

Never confuse the process of exposition with the process of discovery.
Jacob Bronowski

Barnett Newman, Achilles (1952)